HomeWritingABNA – The Pitch Redux

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ABNA – The Pitch Redux — 1 Comment

  1. Awww, Tosh. I’m sure you’re doing fine. The reason why I start over was never something I could explain until I read this by Graham Greene:

    “One may be preoccupied with shopping and chance conversations, but the stream of the unconscious continues to flow undisturbed, solving problems: one sits dispirited at the desk and suddenly the words come as though from the air: situations that seemed blocked move forward: the work has been done while one slept or shopped or talked with friends.”

    I feel that for short intense pieces like queries and summaries, flow is too essential to be broken into bits during conscious editing. It can only go from beginning to end in one unconscious stream. I don’t think they can be tinkered with beyond word choice or they break entirely, much like trying to replace too many bricks in a wall. You have to start again, build momentum, and then bring it to closure in one swift movement.

    That isn’t to say the old drafts are useless. Each one of them solved another small element of the dilemma. But only a new wholly conceived piece can truly take advantage of the baby steps that each draft made in pushing the piece toward continunity and flow.

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